The figure of Peter the Tomb, various aspects of his life and activity, as well as the era called by his name, have long been the subject of study by numerous scholars, comprehensive and meticulous research. It is enough to mention the works of M.Grushevsky, A.Zhukovsky, V.Klimov, A.Kolodny, V.Nichik, O.Sarapin, L.Filipovich and V.Shevchenko, in which the phenomenon of the metropolitan, his spiritual and religious dominant, is thoroughly and thoroughly explained, the influence of P. Mogila's heritage on the past and present. (...) And yet it is impossible to talk about the exhaustiveness of this topic, because such inexhaustibility is dictated by the very universe of its multidimensional activity. This is what determines the relevance of the proposed article. And this, in turn, gives rise to reflections on the need for scientific innovative understanding of religious philosophy as a constant basis of thinking of Petro Mohyla, which, in particular, was reflected in his "Notebook", which is still a little-studied phenomenon of Ukrainian spiritual culture, for the first time it saw the world only in 1995, more than 60 years after its invention by M. Grushevsky. This work, like all narratives on the spiritual and religious themes that make up it, is an integral part of the metropolitan's religious and philosophical heritage. (shrink)

The desire to see a sign phenomenon in different ways always has a reason to interpret it in an unbiased, panoramic way, and in some places - even allowing for contradictions in its understanding by different participants in the interpretative process. For modern humanities, this disposition is quite understandable, since it follows from its very postmodern nature, thereby defining the semantic semantic fields of the leading humanities. True, it is not so wide-spread, but instead, it is evident that Ukrainian religious (...) thinkers of the Middle Ages and Baroque have interpreted the iconic phenomena more deeply. In the story of Petro Mohyla "On the Wonderful Elder Grigory Mezhyhirsky" the metropolitan Mohyla clearly expresses the need to build before the thinking gaze of the reader his own, immanently religious-philosophical conception of the Divine, which every time would present him not just as an act of manifestation, otherwise he appears before the person, while remaining alone. The contemporary study of this issue in order to integrate its leading concepts in the religious-philosophical and general cultural discourse of the postmodern era has largely determined the relevance of the proposed article. The study of the phenomenon of "leaving" by itself in changing forms of the phenomenon of the Divine is also one of the key ones in the proposed studio, because it expresses the very meaning of the Divine as a religious, and therefore a cultural phenomenon. (shrink)

The phenomenon of Petro Mohyla in the modern humanitarian university is most often viewed precisely from the point of view of understanding his figure not only as a building Church, its defender, in a sense as a Christian conservative, but also as a guardian and building national statehood, creator of religious-national transformation and state-renewal Khmelnytsky era and - later - Mazepa. As the History of the Orthodox Church in Ukraine rightly points out, "after 1632, when the Commonwealth entered into the (...) reign of Wladyslaw IV and was headed by Petro Mohyla of Kiev, the Orthodox Church also entered a new era of its existence. The government's new course in resolving the religious issue, increasing political activity of the Orthodox community gave the Kyiv Metropolitanate the opportunity to restore legal status, to regulate relations with the state and society… This authority … was conditioned by the ability of the church institution to be full-blooded… the inner life of the church became perhaps the overriding task of Petro Mohyla... Petro Mohyla justified the principles of its own jurisdiction... emphasized the legitimacy of its power. ". (shrink)

To start thinking about the Gregory Skovoroda phenomenon and its promising interconnectedness with the culture of the hoped for, we want from a series of somewhat unexpected considerations and parallels that we hope will reflect both the subject matter itself and the prospects for the future. It is well-known that Kharkov entered the modern history of Ukraine as the “second capital of our statehood, as the capital of constructivist modern Ukraine of the 1920s, which, and this is often forgotten, favoring (...) Kyiv and the West of Ukraine, became the birthplace and epicenter of a powerful national-cultural movement Ukrainianization. It was in Kharkov that a unique aesthetic phenomenon was born and flourished - literature and art of the firing Renaissance. (shrink)